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The Juilliard School
60 Lincoln Center Plaza, New York, New York, 10023-6588


Division in Drama, Dance, and Music

ÇкÎ(Bachelor of Music):  
  Composition /  Harpsichord /  Orchestral Instruments /  Organ /  Piano / Voice

¼®»ç(Master of Music):
  Collaborative Piano /  Composition /  Conducting (Orchestral) /  Guitar /  Harpsichord /
  Organ /  Piano /  Voice / Orchestral Instruments 

Diploma:
  Composition /  Harpsichord /  Orchestral Instruments /  Organ /  Piano /  Voice

Artist Diploma:
  Jazz Studies /  Opera Studies /  Performance /  String Quartet Studies / Playwriting

Doctor of Musical Arts:
 
Collaborative Piano /  Composition /  Conducting (Orchestral) / Orchestral Instruments / 
  Voice / Keyboard Instruments( Harpsichord,  Organ,  Piano )

 ¿ø¼­¿Í ¿Àµð¼Ç ¸¶°¨ÀÏ
Division Audition Date Application Deadline
Music

February 29 and March 1~7, 2008

December 1, 2007
Jazz Studies

February 29 and March 1~7, 2008
(subject to change)

December 1, 2007
Juilliard Opera Center

Dec. 6-8, 2007 (Dec. 6 & 7, evening only)

November 1, 2007

 
(2007-2008 Year)
Tuition $27,150
Room and Board (residence hall and meal plan)
  Double Room 10,740
  Single Room 13,410
Subtotals
  Double Room 37,890
  Single Room 40,560
Books, Supplies, Personal Expenses 3,940
Totals
Double Room $41,830
Single Room $44,500
¡¡ ¡¡

ÀÔÇÐ Áö¿ø ¼­·ù ( Application Checklist )

- ÀÔÇÐ Áö¿ø¼­ ( Completed and signed application )
- ÀÔÇÐ Áö¿ø·á  $ 100 ( Application / Audition fee )
   Artist Diploma´Â $50

- ¿Àµð¼Ç ÀÚ·á ¾ç½Ä ( Audition information form )
- Ãßõ¼­ ( Letters of recommendation in sealed envelopes )
- °³ÀÎ À̷¼­¿Í ·¹ÆÄÅ丮 ¸®½ºÆ® ( Artistic resume and repertoire list )
- ¼ºÀû Áõ¸í¼­¿Í Á¹¾÷ Áõ¸í¼­ ( Transcripts or certified translations )
- Àڱ⠼Ұ³¼­ ( Personal essay )
- ¿Àµð¼Ç ÇÁ·Î±×·¥ ( Audition Program )
- ¿Àµð¼Ç Å×ÀÙ ( Audition tape )
- »çÁø ( Photo )
- ¿Ü±¹ÇлýÀº  Çкδ TOEFL 200(iBT73),¼®»ç´Â 230(iBT89)
   Doctoral ProgramÀº 253(iBt102):  2¿ù15ÀϱîÁö Á¦Ãâ
   **À½¾Ç¿¡ Àç´ÉÀÖ´Â ÇкΠÁö¿øÀÚ Áß TOEFL 133-197Àº ÁÖ´ç 10½Ã°£ÀÇ ¿µ¾î ¼ö¾÷°ú ÇÔ²² º» ¼ö¾÷(1³â°£)

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Pre-screen¿ä±¸:
 
-Composition (scores and recordings);
- Flute (audio recording);
- Jazz Studies (audio recording);
- Juilliard Opera Center (audio recording);
- Orchestral Conducting (audio-visual recording);
- Percussion (audio-visual recording);
- Piano (audio recording);
- Violin (audio recording);
- Violoncello (audio recording); and
- Voice (audio recording)
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¡¡ Piano       
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BM, Undergraduate Diploma,

Graduate Diploma, and MM

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Pre-Screen CD/Tape Repertoire(¾Æ·¡ 2°ú 3¹ø¸¸À¸·Î ÇкÎÃÖ¼Ò 45ºÐ/´ëÇпø ÃÖ¼Ò 60ºÐ)
The pre-screening recording must include only No. 2 and No. 3 from the live audition repertoire.

Live Audition Repertoire
1. Bach (no transcriptions permitted)
a. Undergraduates: A prelude and fugue from
The Well-Tempered Clavier or another work containing a fugue.
b. Graduates: Any major work. A prelude and fugue is acceptable.
2. One of the following:
a. An entire sonata by Beethoven (excluding Opp. 14, 49, and 79), or
b. Haydn Sonata in E-flat Major, Hob. XVI:52, or
c. Mozart Sonata in D Major, K. 576, or
d. One of the following Schubert sonatas: G Major, Op. 78; A Minor, Op. 143; A Minor, Op. 42; D Major, Op. 53, or one of the three posthumous sonatas, or the Wanderer Fantasie.
3. A substantial composition by Chopin, Schumann, Brahms, Liszt, or Mendelssohn. (Etudes, nocturnes, short dances, waltzes, or comparable pieces are not acceptable.)
4. One virtuosic etude by Bartok, Chopin, Debussy, Liszt, Prokofiev, Rachmaninoff, Scriabin, or Stravinsky.
5. A complete work of the applicant¡¯s choice by a composer other than those selected for the previous requirements.
Artist Diploma
and D.M.A.
Pre-Screen CD/Tape Repertoire(¾Æ·¡ 2°ú 3¹ø¸¸À¸·Î ÃÖ¼Ò 60ºÐ)
The pre-screening recording must include only No. 2 and No. 3 from the live audition repertoire.

Live Audition Repertoire
1. A prelude and fugue from The Well-Tempered Clavier or another major work of Bach. (No transcriptions permitted.)
2. Choose one of the following:
a. One sonata by Beethoven: Sonata Op. 2, Nos. 2 or 3; Op. 7; Op. 10, No. 3; Op. 22; any sonata later than Op. 28, excluding Op. 49 and 79. OR
b. One sonata by Schubert: A Minor, Op. 42; G Major, Op. 78; D Major, Op. 53; A Minor, Op. 143; any of the three posthumous sonatas; Wanderer Fantasie.
3. Two substantial works by different composers, one of which must be chosen from Group A. The second piece may be by another composer from Group A or one from Group B.
Group A:
Chopin, Schumann, Brahms, Liszt, Mendelssohn.
Group B:
Composers who flourished during the late 19th or early 20th century. This group includes, but is not limited to: Tchaikovsky, Mussorgsky, Scriabin, Rachmaninoff, Busoni, Faure,
Debussy, Ravel, and Grieg.
4. A substantial 20th or 21st-century work by a composer post-dating Impressionism.
¡¡
¡¡ Violin

BM and Diploma

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Pre-Screen Tape Repertoire
1. A slow and fast movement from a 19th or 20th-century concerto.
2. One movement from an unaccompanied Bach sonata or partita.
3. One Paganini caprice.

Live Audition Repertoire
- Of Nos. 1 and 4 below, one must be a contemporary selection composed since 1939.
- All compositions must be performed from memory except for duo sonatas. Memorization of music since 1939 is encouraged but optional.
- Please minimize piano accompaniment interludes.
1. A slow and fast movement from a 19th or 20th-century concerto.
2. Two contrasting movements from an unaccompanied Bach sonata
or partita. No repeats please, unless ornamented. A dance movement and its double constitute one movement.
3. One Paganini caprice.
4. A piece or movement written since 1939 other than a concerto (include the date of composition with the title). If the concerto selected for No. 1 above was composed after 1939, present an 18th or 19th-century concert piece.
5. Major and minor scales and arpeggios in three octaves with double stops.
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MM and
Graduate Diploma

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Pre-Screen Tape Repertoire
1. A slow and fast movement from a 19th or 20th-century concerto.
2. One movement from an unaccompanied Bach sonata or partita.
3. One Paganini caprice.

Live Audition Repertoire
- Of Nos. 1 and 4, one must be a contemporary selection composed since 1939.
- All compositions must be performed from memory except for duo sonatas. Memorization of music since 1939 is encouraged but optional. Please minimize piano accompaniment interludes.
1. A complete concerto from the Romantic period or 20th century.
2. Two contrasting movements from an unaccompanied Bach sonata
or partita. No repeats please, unless ornamented. A dance section and its double constitute one
movement.
3. A Classical sonata for violin and piano. If the Beethoven Concerto is chosen for No. 1, a Romantic or 20th-century sonata should be played.
4. Two contrasting brilliant concert pieces.
5. Two Paganini caprices.
6. Major and minor scales and arpeggios in three octaves with double stops.
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Artist Diploma
and D.M.A.
In addition to the graduate requirements, Artist Diploma and D.M.A. applicants must also perform:
7. A complete concerto by Mozart
8. A complete Bach sonata or partita (in place of No. 2).
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¡¡ Viola

BM and
Diploma

¡¡

All compositions except for duo sonatas should be memorized.
Of Nos. 4 and 5, one must be a 20th or 21st-century composition.
1. Major and minor scales and arpeggios in three octaves with various bowings.
2. One etude by Campagnoli, Lillian Fuchs, Rode, Palaschko, Dont, etc.
3. Two contrasting movements from any Bach solo suite (originally for cello) or sonata or partita (originally for violin).
4. A sonata movement or short work.
5. A representative substantial portion of a concerto. Examples include (but are not limited to):
a. A slow-fast pair of movements of the Telemann.
b. First movement with cadenza of the Stamitz D Major, Hoffmeister D Major, Rolla E-flat Major
or Vanhal C Major.
c. First or second movement of Walton.
d. First or second and third movements of Bartok.
e. Any movement of Hindemith Der Schwanendreher.
f. A substantial fast movement of any 20th or 21st-century concerto.

MM, Graduate Diploma,
Artist Diploma,and D.M.A.

¡¡

Of Nos. 2 and 3, one must be a 20th or 21st-century composition
1. A complete solo Bach suite, sonata, or partita.
2. A complete sonata by Schubert, Brahms, or Hindemith, or an equivalent work such as the Schumann Maerchenbilder or Bloch Suite.
3. A complete concerto such as the Bartok, Hindemith Kammermusik no. 5, Konzertmusik,
 
or Der Schwanendreher or the Walton, etc.
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¡¡ Violoncello 
Undergraduate
Graduate
Pre-Screen CD/Tape Repertoire
only No. 1a (regardless of degree level) and No. 2 from the live audition repertoire.

Live Audition Repertoire
1. Concerto from the standard cello repertoire, such as Dvorak, Schumann, Haydn D or C, Lalo, Shostakovich, Barber, Herbert, Prokofiev Sinfonia Concertante, Elgar, or Saint-Saens.
Must be
performed from memory.

a. Undergraduate applicants are required to play only one movement of the concerto they select.
If Saint-Saens is chosen, please play the last movement only; if Elgar is chosen,
please play both the 2nd and 4th movements.
b. Graduate applicants must prepare the complete concerto.
2. Bach
a. Undergraduate applicants must prepare two contrasting movements of Bach. Must be performed from memory.
b. Graduate applicants must prepare a complete Suite of Bach. Must be performed from memory.
3. One virtuoso piece from the following choices: Popper
Spinning Song or Elfentanz, Paganini Moto Perpetuo, Faure Papillons, Boccherini Sonata L¡¯Imperatrice, Piatti Caprices 3 or 12, Davidoff At the Fountain, Schubert Arpeggione Sonata (1st movement), or Tchaikovsky Pezzo Capricioso. Other virtuoso works must be approved by the department chair.
4. One work composed after 1945 such as works by Carter, Sessions, Dutilleux, Lutoslawski, Penderecki, Shapey, etc.
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¡¡ Voice
BM and Diploma

Pre-Screen CD/Tape ¿Í Live¿Àµð¼ÇÀÌ °°À½
1.
An Italian Art Song from 18th century or before.
2. A song in English (not a translation).
3. A third selection in any language.
(
ºñ¿µ¾î°¡ ¸ð±¹¾îÀÎ °æ¿ì´Â 1 °îÀ» ¸ð±¹¾î·Î. Please note: An aria from an opera or oratorio is welcome, although not required)

MM and
Graduate Diploma
Pre-Screen CD ¶Ç´Â Tape Repertoire
1. An Italian art song or aria from 18th century or before.
2. A song in English (not a translation).
3. A third selection in any language.- If English is not your native speaking language, please prepare a song in your native language for this requirement.
4. An aria from an opera or oratorio.
5. One German Lied.
6. One French Melodie.

Live Audition Repertoire
In addition to the pre-screening repertoire above, graduate applicants must perform the following:
7. An additional German Lied.
8. An additional French Melodie.
9. A 20th or 21st-century art song in any language.
Artist Diploma and D.M.A.

Pre-Screening Tape Repertoire
In addition to the graduate pre-screening tape repertoire, post-graduate applicants must include a second aria on the pre-screening recording.

Live Audition Repertoire
Selected candidates for both programs (D.M.A. AND A.D.) should be prepared to present a full recital that includes two arias and also fulfills the requirements of the Graduate Program live audition (please note Graduate language requirements). The recital program should be expansive in the sense that a variety of musical periods, styles, and languages should be represented.
¡¡

¡¡

Composition


BM and Diploma
MM & Graduate Diploma
DMA

Pre-Screening Tape / CD
ÇкÎ(BM) and Diploma:
1. ´ëÇ¥°îÀ¸·Î ÃÖ±Ù 2³â µ¿¾ÈÀÇ ÀÛ°îÇÑ 2°³ÀÇ ´ëÁ¶ÀûÀÎ ÀÛǰÀ» Á¦ÃâÇÑ´Ù.°¢ 5ºÐÀÌ»ó
2. ÀÛǰÀÇ ¾Çº¸¸¦ Á¦ÃâÇÑ´Ù.
3. ÀÛ°îÀÇ °úÁ¤°ú ¾Ç°îÀ» ¼³¸íÇϴ ªÀº Statement.
4.
A complete listing of the applicant¡¯s compositions with orchestrations and dates of
    performances.

¼®»ç(MM) and Graduate Diploma:

Áö¿øÀÚ´Â ÇкÎÀÇ ¿ä±¸ »çÇ׿¡ °îÀÇ ±æÀ̸¦ ´ë·« 7ºÐÀÇ ±æÀÌ·Î ÇÑ´Ù.

¹Ú»ç(D.M.A):
Áö¿øÀÚ´Â ÇкÎÀÇ ¿ä±¸ »çÇ׿¡ °îÀÇ ±æÀ̸¦ ´ë·« 10ºÐÀÇ ±æÀÌ·Î ÇÑ´Ù.

Undergraduate and Graduate Live Audition Procedures
1. ¼±Á¤µÈ Çлý¸¸ ÀÎÅͺ䰡 ¿¹¾àµÊ
2. Interviews´Â pre-screening¿¡ Á¦ÃâµÈ ¾Ç°î¿¡ ´ëÇÑ ÅäÀǰ¡ Æ÷ÇÔµÊ
3. Graduate and D.M.A. Áö¿øÀÚ´Â Ãß°¡·Î 2 °îÀ» ´õ recordingÇÏ¿©  ÀÎÅͺä½Ã °¡Á®°¡¾ßÇÔ.
4. All applicants will complete musicianship testing in score analysis, rhythmic dictation,
   harmonic analysis, counterpoint, and score identification.

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Flute

Undergraduate Pre-screen tape¿Àµð¼Ç:
Tape must be in this order:
1. Mozart - Exposition of 1st and 2nd movements of Concerto in G Major or D Major, unaccompanied.
2. Two contrasting movements selected from works of different styles or periods, accompanied.
3. Three orchestral excerpts selected from the following choices:
a. Beethoven Eroica Symphony - Last movement - measures 172-200.
b. Beethoven Leonore Overture No. 3 - measures 328-360.
c. Brahms Symphony No. 4 - Last movement - measures 93-105.
d. Debussy Afternoon of a Faun - measures 1-4.
e. Mendelssohn Scherzo from A Midsummer Night¡¯s Dream -2 measures before P to the end.
¡¡

BM and Diploma Live Audition Repertoire
At least one of Nos. 2 or 3 must be performed from memory in its entirety.
1. One movement of a J.S. Bach sonata, partita, or suite.
2. Two complete major works of contrasting styles and periods (excluding J.S. Bach).
3. A complete Mozart concerto.
4. Four standard orchestral excerpts displaying a balance of technical and lyrical playing.

Graduate Pre-ScreenÀº ÇÐºÎ¿Í °°À½

MM, Graduate Diploma, Artist Diploma and D.M.A. Program Live Audition Repertoire
At least one of Nos. 2, 3, or 4 must be performed from memory in its entirety.
1. One movement of a J.S. Bach sonata, partita, or suite.
2. A complete Mozart concerto.
3. A 20th- or 21st-century concerto.
4. Two additional complete works of contrasting styles and periods.
5. Six standard orchestral excerpts displaying a balance of technical and lyrical playing.
¡¡
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